American Theatre of Actors
Chernuchin Theatre
314 West 54th Street
Set at the end of the first millennium, Silence tackles issues of identity, freedom, marriage, religion and war during a hilarious road trip filled with fateful dreams, Viking raids, and true love.
with
Helen Coxe* Chris Kipiniak*
Greg Hildreth Joe Plummer*
Kelly Hutchinson* Makela Spielman*
Scenic Design Ryan Palmer
Costume Design Liam O'Brien
Lighting Design Nick Francone
Sound Design Serena Rockower
Original Music Jonathan Sanborn
Stage Manager Libby Unsworth
Production Stage Manager Andrea Ghersetich
Properties Cheryl Chi-Yan Ng
Press Representative Jim Baldassare
Technical Director Warren Katz
Asst. Costume Design Emily Pepper
Asst. Costume Design Stacia Williams
Asst. Lighting Design Matthew J. Fick
Asst. Director Morgan Gould
Directed by Suzanne Agins
Produced by Joshua P. Weiss for The Roundtable Ensemble, Ltd.
Cast of Characters
(in order of appearance)
Ymma, a lady
...........................
Kelly Hutchinson*
Agnés, a servant
...........................
Helen Coxe*
Eadric, the king's man
...........................
Chris Kipiniak*
Silence, a youth
...........................
Makela Spielman*
Roger, a priest
...........................
Greg Hildreth
Ethelred, the king
...........................
Joe Plummer*
Photos by Jim Baldassare
* These actors appeared courtesy of Actors' Equity Association.
About the Play
Silence is a contemporary comedy set in medieval England that follows the fate of a feisty French princess who is commanded to marry a young Viking Lord with a shocking secret.
On the young couple's wedding night the King of England decides he should have married the princess himself, forcing the newlyweds to set out for the Viking outpost in the north. The resulting road trip causes each of the characters to examine their views on nationalism, religion, language, gender, intolerance, tyranny and class.
Drawing inspiration from historical fact and the Thirteenth-Century French Romance of the same name, Silence was the winner of the Susan Smith Blackburn Prize for best English-language play by a woman.
Chosen as one of the New Theater Corps' Five Favorites.
Moira Buffini's Silence renders her audience spellbound. Each member of Silence's first-rate cast conveys a necessary dramatic element to evoke emotion and honesty. Boosted by its shining performances and clever writing, Silence conveys a much-needed message of hope . . . providing a few laughs along the way for good measure.
- Nicholas Luckenbaugh, Show Business Weekly
Shenanigans abound in this fast-paced, silly "chase and run" comedy that has a motley crew of people fleeing from King Ethelred's wrath and rule. A coming of age tale with a dark ages backdrop, Silence delves into topics such as paganism, brutality, Christianity, class distinction and much more with verve. Between the rather keen observations made on religion, royalty, and gender roles, there are enough dramatic twists to propel the story forward.
- Cindy Pierre, New Theater Corps
If you've been pining for a really well-written contemporary script and you've yet to encounter Moira Buffini's Silence, do yourself a favor and catch the Roundtable Ensemble's production. While taking on rather serious topics, Buffini ably rolls out the one-liners, and director Suzanne Agins gets comedic timing from the cast in even the most unexpected places.
- Lori Fromowitz, Off-Off Online
Looking for something to talk about? Silence, a contemporary comedy set in the unflinchingly serious Dark Ages, offers plenty of solid observations on heathens, religious woes, sexual ambiguity, and tyranny. The show hurtles forward, filled with a melange of amusing topics and a series of surprising twists.
- Aaron Riccio, New Theater Corps
Moira Buffini's play Silence . . . provides the Roundtable Ensemble with a nice mirror for The Taming of the Shrew, the play with which it, along with Michelle Matlock's The Mammy Project, is being presented in repertory. Like Shrew, Silence is about a sassy, difficult woman in a world of men - in this case, medieval England.
- Gwen Orel, Back Stage
Read Managing Director Joshua P. Weiss' interview with nytheatre voices here.